Reconstructions in Brass

It's been a little while since I updated my blog. Been busy with gigs and projects the past couple of months. I'm still in the middle of it all, but here are a few little updates till I've got more time to write some lengthier posts.

First off is the Noise Club commission from Octopus. For this piece, Reconstructions in Brass, we bent, manipulated and circuit bent a variety of brass instruments for a 2-hour performance in Barrow Park's band stand. It was a lot of fun getting to find new ways of making sound with brass instruments, some relatively straightforward, like a hacked-off trombone with a clarinet mouthpiece, others a bit more complicated, like the circuit bent tenor horn Mike Loftus constructed. Even the geese joined in for the gig... it's amazing how loud they can be!

Hopefully, I'll have an extended video of the event for you all soon, but, in the meantime, here's a short clip to give you a flavour of the day.

The a.P.A.t.T. Orchestra: Musical Settings Part I

On Sunday I played with the a.P.A.t.T Orchestra in a concert that included work by Cornelius Cardew, Liverpool composer, Richard Harding, and Argentinian composer, Alan Courtis. The concert was the first part of a series of events that will take in various unusual locations in and around Liverpool. This one was at the bandstand in Sefton Park.

The first piece was Alan Courtis' In-Formed Music for newspaper ensemble, which was much as described on the can: creating sounds and textures using newspapers, which had been supplied by the Echo newspaper. More interesting was the next piece, Richard Harding's Untitled, which, while tonal, used aleatoric and improvisational processes to create shifting clouds of sound. Finally came Cardew's piece, Paragraph 7 of The Great Learning. The work is for voices, and with the 23-strong ensemble sounded quite stunning, resounding in power and beauty in equal measure. Using guided improvisation, Cardew's piece starts with dense and dissonant harmonies, slowly evolving into a sparser harmonic field, though still retaining the power of the massed voices.


Here's a short article about the event.



There are also some photos of the concert taken by Michael Pace-Sigge.