It's been a little while since I've updated my blog... busy with lots of projects, as usual. I've been uploading a few videos to the net of performances from last year. Here's a bit of a gem... it's a Noise Club performance I was in at the Bluecoat's If Only...! night in Liverpool. For this gig, we decided to have a noise barbeque, complete with homemade burgers: a food performance. Surprisingly, the contact mics we made actually withstood the burning flames of the hot BBQ for quite some time!
WARNING: EXPLICIT LYRICS
Showing posts with label Bluecoat. Show all posts
Showing posts with label Bluecoat. Show all posts
Sunday, 8 May 2011
Noise Club BBQ performance
Labels:
barbeque,
BBQ,
Bluecoat,
electroacoustic,
experimental,
If Only,
Liverpool,
noise,
Noise Club,
sound art,
soundscape
Friday, 3 December 2010
Sound Relay
Last month I played in a project called Sound Relay, which was a collaboration between Ensemble 10/10 (the Liverpool Philharmonic's contemporary music ensemble), and the a.P.A.t.T. Orchestra. The project was part of the Liverpool Biennial's Long Night.
The musicians were split into groups starting at different locations. I was stationed initially at FACT. Starting at the Liverpool Philharmonic Hall, the first group of musicians walked to FACT, playing along the way; then we went to the Bluecoat, still playing; and made our final stop at Tate Liverpool, where we split up into different groups, each in a separate room in the gallery.
Here's a video with highlights of the whole event.
The musicians were split into groups starting at different locations. I was stationed initially at FACT. Starting at the Liverpool Philharmonic Hall, the first group of musicians walked to FACT, playing along the way; then we went to the Bluecoat, still playing; and made our final stop at Tate Liverpool, where we split up into different groups, each in a separate room in the gallery.
Here's a video with highlights of the whole event.
Labels:
10/10,
aPAtT,
Bluecoat,
experimental,
FACT,
Liverpool Biennial,
Liverpool Philharmonic,
Long Night,
Tate
Tuesday, 30 November 2010
'Intensity', by Karlheinz Stockhausen
I've just finished editing the audio of a recording of Intensity, part of Stockhausen's From the Seven Days. It was recorded at a Frakture workshop I led a few months ago. It was Pete Jones, one of the Frakture regulars, who suggested using Intensity for a workshop, since it was based on written instruction, rather than a conventional score. Unfortunately he wasn't able to make it himself.
I thought the idea of visual images would be something interesting to explore in conjunction with Stockhausen's piece, so structured the workshop around this, building up to a performance of the piece itself. The recording was made in the Sandom Room at the Bluecoat.
Players:
Reinhard Fuchs: voice, laptop
Myself: piano
Phil Lucking: trumpets
Phil Morton: accidents and treatments
Neil Murphy: flute
Adam Webster: cello
I thought the idea of visual images would be something interesting to explore in conjunction with Stockhausen's piece, so structured the workshop around this, building up to a performance of the piece itself. The recording was made in the Sandom Room at the Bluecoat.
Players:
Reinhard Fuchs: voice, laptop
Myself: piano
Phil Lucking: trumpets
Phil Morton: accidents and treatments
Neil Murphy: flute
Adam Webster: cello
Labels:
avant-garde,
Bluecoat,
composition,
experimental,
Frakture,
free improvisation,
Intensitat,
Intensity,
Karlheinz,
Liverpool,
Sieben Tage,
Stockhausen,
text score
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