In August, I was invited to create an installation for TiLT Dance's Manifold event at the Kazimier in Liverpool.
Recently I have been working on some projection mapping techniques with General Midi of a.P.A.t.T., so this seemed like the ideal opportunity to test out some of the techniques we'd developed. The result was F.A.C.E. (the Facial Apprehension Control Experiment), an interactive installation that used facial recognition software to replace and swap people's faces.
The night was an incredible fusion of performance and installation art. A couple of particular highlights include the piece which used a live bio-sensor to control a 'light-suit' worn by a trapeze artist, and an installation by Null Pointer where paint was sprayed down a tube onto a record player as it played a record.
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