In October, I played at a new alternative music night at Mello Mello in Liverpool called Circuits. It was a really amazing mix of acts, covering a range from noise to electronica to hip hop. I'm looking forward to seeing more of these nights this year, but, in the meantime, there's a short YouTube clip from my set below.
Monday, 16 January 2012
Circuits Music Night
Labels:
Circuits,
electronica,
experimental,
hip hop,
Iain Grundy,
Liverpool,
Mello Mello,
music,
noise,
red wire,
sound art
The a.P.A.t.T. Orchestra: Musical Settings Part II
Well, it's 2012, and what a busy time I've had since my last post. Things have happened too quickly to let you all know about them. But here I am, finally, with a bit of a catch up.
First up is the second of the a.P.A.t.T. Orchestra's Music Settings series, entitled Into the Deep. The concert contained a number of premieres by local musicians, including Ex-Easter Island Head and Ben Fair, as well as a performance of Philip Glass' Music in Similar Motion, which we played in the Planetarium along to one of their shows. Now, as many of you will know, I detest the ground on which Philip Glass walks, however, the music is interesting to play. And I always say know your enemy!
The rest of the music was much more interesting. Here is a YouTube video of Ex-Easter Island Head's piece, which was performed around an Easter Island head, just for good measure.
And here is Ben Fair's piece, which made use of a video score to allow complex polyrhythms to be conducted without the need for superhuman feats of coordination.
First up is the second of the a.P.A.t.T. Orchestra's Music Settings series, entitled Into the Deep. The concert contained a number of premieres by local musicians, including Ex-Easter Island Head and Ben Fair, as well as a performance of Philip Glass' Music in Similar Motion, which we played in the Planetarium along to one of their shows. Now, as many of you will know, I detest the ground on which Philip Glass walks, however, the music is interesting to play. And I always say know your enemy!
The rest of the music was much more interesting. Here is a YouTube video of Ex-Easter Island Head's piece, which was performed around an Easter Island head, just for good measure.
And here is Ben Fair's piece, which made use of a video score to allow complex polyrhythms to be conducted without the need for superhuman feats of coordination.
Labels:
a.P.A.t.T,
avant garde,
composition,
Ex-Easter Island Head,
experimental,
Liverpool,
minimalism,
Moai Hava,
music,
Philip Glass,
World Museum
Subscribe to:
Posts (Atom)